Shelley, Mary. As explicated in the likes of Cottom (1980), Dugget (2010), Matus (2017), and, ... 37. Ed. . (=Stuttgarter Arbeiten zur Germanistik Nr. Their now-extinct language, also called Gothic, died out, especially in reference to the medieval archite, between 700-1100 CE is known as “Romanesque.”) Characteristics of Gothic. An International Journal of the Humanities. To get The Double in Mary Shelley s Frankenstein, or the Modern Prometheus and Robert Louis Stevenson s the Strange Case of Dr. Jekyll and Mr. Hyde (Paperback) PDF, you should click the link under and save the document or get access to additional information that are have conjunction with THE DOUBLE IN MARY SHELLEY S FRANKENSTEIN, OR THE MODERN PROMETHEUS AND … at my feet. Die englische Literatur. persons. It was the same year when Percy Bysshe Shelley and Mary joined Lord Byron and his wife Claire together with their personal physician “John Polidori at the Villa Diodati by Lake Geneva”[7]. Boston: Bedford/St. As described in Bloom (2007), Davison (2009), Dugget (2010, Matus (2017), and, Fantasy and Horror: A Critical and Historical Guide to Literature, Illustration, Film, Tv, Radio and the Internet. In many instances where there is a double, it is the embodiment of a specific set of characteristics either that the original character desires to have, or a concentration of their worst characteristics, thus living up to the ‘evil twin’ stigma. Harmondsworth: Penguin, 1994. This article analyzes the characteristics of the crime novel in the contemporary fiction of Bernardo Carvalho, the Brazilian writer, and Francisco José Viegas, the Portuguese writer. the first part of the narrative. Get an answer for 'How is the theme of duality represented in Frankenstein and one other novel you have studied (Dracula)? and thus alienated from society and even from reality” (Punter 208). Applying a psychoanalytical perspective to Frankenstein is so much fun and students always seem to enjoy it! In Frankenstein, Mary Shelley used that very motif to describe and characterize her characters. Krempe rejects his ideas: “I mentioned, it, interest in the field because, for him, Krempe teachings are limited and unfit to cover, that leave the child in a ‘false’ position, caught between an endangered inner world, gratitude of his child so completely as I. power that will inflect glory upon him. . On Robert Louis Stevenson. Such a state allows him to prove himself to his father. 2nd. Byron, Glennis: Frankenstein. The presence of the double causes conflict, as there can never be peaceful co-existence between a character and their second manifestation. As a matter of fact, they both experience the same feelings (grief, loss, loneliness etc..), still they manage to face them differently. 2014. , Ed. Although Melanie Klein pioneered the notion that the self is constituted by intense early relationships, it was D. W. Winnicott, following the lead of W... practices of generating and analyzing evidence to reveal themes, and they relate these intersections with wider issues about what can be known from research and how it can be learned. This judgment pushed Victor to question why his. London and New York: Routledge, 1992. The Tambora - Frankenstein Myth: A Monster Inspired (First Published in: "Humanities Bulletin" Vol. His ugliness horrifies Walton and readers. Robert Louis Balfour Stevenson was born as the son of “middle-class Church of Scotland parents”[21] in 1850 in Edinburgh. Frankenstein by Mary Shelley narrates the entire lifespan of a Genevese person named Victor Frankenstein. as starting status, changing status and sought status.In this way, it is seen that the Due to his weak health he was not able to pick up his ancestors’ and his father’s profession as an engineer, but became a lawyer in 1875 although he never worked actively. English Literature. Mary Shelley’s ‘Frankenstein, or the Modern Prometheus’ William Coyle. - Hohes Honorar auf die Verkäufe The three novels named Mathilda which was never published during her lifetime, Lodore which was published in 1835 and Falkner, published in 1837, show Mary Shelley’s attitude for family matters and for the well-being of the family in the best ways[15]. . Martin’s, 2007. {124} The relation between the character and his author is very much an issue in Frankenstein and Peter Schlemihl.In one form or another, the problem of narcissism is also constantly in the wings. setting, dreary landscapes, villains and helpless heroines, paranormal. Appearance and reality; good and evil; life and death; male and female ... these are some of the dualisms that mark the Gothic text, and Shelley's Frankenstein, in particular. more hideous than belongs to humanity” (60). But why start the chain with Victor? Further novels not dealing with supernatural powers are Valperga in 1832, The Last Man in 1826 and Perkin Warbeck in 1830. with you on your wedding-night” (Shelley, comments on Victor’s attitude and says: “Frankenstein. One might suppose this would hardly be worth taking the trouble to argue, given the common view that, as George Levine puts it, "the hero and his antagonist are one" (1973, 209) and "the monster can be taken as an expression of an aspect of Frankenstein's self . Retrouvez The Double in Mary Shelley's Frankenstein, or the Modern Prometheus and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde et des millions de livres en stock sur Amazon.fr. Most Gothic protagonists are, collection of German short stories and the spark of. Le livre connaîtra un grand succès dès sa parution. During the visit they were all challenged by Lord Byron’s suggestion to write a ghost-story[8]. Victor’s endeavours and, thus, is considered as an extension of the creator himself. This paper outlines the structure of this Tambora-Frankenstein myth and then attempts to investigate its roles, goals, and meanings as ascribed by various scholars and journalists. [24] Stevenson, Robert Louis. American Gothic Fiction: An Introduction. I was guiltless, but I had indeed. She was then imprisoned indoors by the volcanically-induced bad summer weather of 1816 and thus encouraged to craft the story into a full length gothic novel. reminder that he is the ultimate source of his and his family’s tragic demise” (74-76). for the understanding of the horrors it begets. that I alone should be reserved to discover so astonishing a secret (41). They married after her divorce in 1880 in America[25]. Oxford. Other mystical novels are The Mortal Immortal in 1830 or The Mourner which also include elements of “aggression, monstrosity, the double, and family relationships”[14]. . [5] Cf. Oxford et al. A powerpoint and grid (expert groups, carousel, pairs or independent) for applying the idea of the 'double' to Frankenstein and exploring some key ideas from Freud's 'The Uncanny' in relation to the novel. Although Mary Shelley is broadly known today as the author of Frankenstein of the Modern Prometheus she was also a productive writer of “essays and reviews, travel books, mythological dramas, and numerous biographies”[12]. After the death of Shelley‘s wife they were free to marry in 1816 when she also bore a son. Comparison of the Double in Frankenstein and Dr Jekyll and Mr Hyde 5. end the life of the monster and, thus, in a way ending his own. . [19] Sanders, Andrew. The The creature’s outer form is gigantic and frightening. “Gothic”, L.kip Wheeler Website, Accessed: 21 Jan. 2014. Ira B. Nadel and William E. Fredeman. Jackson, Rosemary. ed. reason, which led to the creation of the monster: acquainted with its contents; and I continued to read with the greatest avidity (31). Byron, Glennis: Frankenstein. Oxford. hair; but one vast hand was extended, in color and apparen. The writers and their texts Strikingly, Levine himself writes that "Frankenstein's father. : Band 2: Autoren. - Es dauert nur 5 Minuten 281. "Narcissism and Beyond: A Psychoanalytic Reading of Frankenstein and Fantasies of the Interestingly, Victor is haunted by his secret from the past. Double", Aspects of Fantasy: Selected Essays from the Second International Conference on the Fantastic in The chronotop improves the narrative by providing a change of All content in this area was uploaded by Mouna Kohil on Jul 10, 2018, CD-ROM. This joke mocks someone hearing voices. After Percy Bysshe Shelley had died in August 1822 Mary spent the rest of her life in London and died on February, 1st 1851[11]. raising fear in the novel. [4] Cf. Mary Wollstonecraft Shelley was born as the only child of the philosopher William Godwin and his wife Mary Wollstonecraft in London in August 1797[5]. Shelley, Mary. 1357 Words 6 Pages. "Such were the professor's words-rather let me say such the words of fate-enounced to destroy me. - Jede Arbeit findet Leser, Universität Trier She was then imprisoned indoors by the volcanically-induced bad summer weather of 1816 and thus encouraged to craft the story into a full length gothic novel. behaviour and states: “Mary Shelley characterizes i. be protective toward himself more than to Justine. In counterpoint to this apparent consensus, Anne K. Mellor draws attention to "the many ways in which Frankenstein portrays the consequences of the failure of family, the damage wrought when the mother—or a nurturant parental love—is absent" (1988, 39). 4. From the isolation which interlinks the antagonists to the doppelgänger theory, it is clear … Lanham: - Für Sie komplett kostenlos – mit ISBN A companion to the Gothic, Nora Crook, 58 . Additionally she wrote many short stories and edited some of her husband’s works[13]. “Introduction: The Gothic in Western Culture” writes: or otherwise at the main time of the story (2). and a convulsive motion agitated its limbs (44-45). [11] Cf. 2.1. achieved by contemporary science. Scarecrow P, 1999. The Critical Tradition: Classic Texts and Contemporary Trends. Pierre Brunel. Narrative research has become part of the landscape of education inquiry, yet its theory and practice are still debated and evolving. horror and guilt” (103). The Short Oxford History Of English Literature. Frank, Frederick S. "The Early and Later Gothic Traditions, 1762-1896", Fantasy and Horror: A Critical and Frankenstein Crime And Punishment And The Double Essay 1636 Words | 7 Pages . Ritcher. I suggest that Lucian addresses the question of the production of fiction narratives in prose and how they should be read while arguing that his work is an appropriate reading to the pepaideuménoi. The motif of the double aims at arousing fear and ho. : Oxford UP, 1996. 382. Historical Guide to Literature, Illustration, Film, Tv, Radio and the Internet, Ed. Ritcher. The main sources which helped writing this assignment were Intimations of ambiguity by Juliane Forssmann and the two essays on the double in the Companion to literary Myths, Heroes and Archetypes, edited by Pierre Brunel and in Elisabeth Frenzel’s Motive der Weltliteratur. increase the suspense for readers and to arrange the appearance of the creature. The paper addresses Shelley's plot in the light of gothic fiction and demonstrates how fear is achieved in the novel. of himself” (73). Poovey, Mary. 2.2 Robert Louis Stevenson’s ‘The Strange Case of Dr Jekyll and Mr Hyde’, 3. My approach to the monster's story of deprivation as a double of Victor's own is inflected by a particular psychoanalytic way of thinking. consistent through the novel and appears frequently. up for his son’s success, Victor assembles his creature carefully. The moment Frankenstein and his monster meets for the first time since Frankenstein's monster’s creation is incredibly important. “Doubles and Counterparts.” Companion To Literary Myths, Heroes And Archetypes. This paper outlines the structure of this Tambora-Frankenstein myth and then attempts to investigate its roles, goals, and meanings as ascribed by various scholars and journalists. driven by time-spatial elements. "Introduction: The Gothic in Western Europe", The Cambridge Companion to Gothic Intimations of Ambiguity: The Narrative Treatment of the Uncanny in Selected Texts of Romantic English and German Prose Fiction. [7]. This joke mocks someone hearing voices. München: Deutscher Taschen-buch Verlag, 1997. It describes the meaning of the term gothic and traces its development. The Double in Mary Shelley's Frankenstein, or the Modern Prometheus and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde: Höbel, Christoph: 9783640531936: Books - Amazon.ca < http://web.cn.edu/kwheeler/lit_terms_G.html> par: 27. Primary Sources Frankenstein as the “Monster’s” Double in Frankenstein. that helped destroy Rome. remorse alleviates, as he states: “I felt a, haunted me. [522]. 4. Due to this competition Mary had a “half-waking nightmare”[9] which inspired her to write the ghost-story out of which eluded Frankenstein, or the Modern Prometheus, the “most enduringly famous of all Gothic writings”[10]. Westport, CT and London: Greenwood Press, 1986. English Literature. [22] In order to cure his lung disease he travelled around – first in Great Britain, from Scotland to England even during his studies. that Frankenstein cannot be totally labelled as belonging to the gothic genre. The link between the volcanic eruption of Mount Tambora in 1815 and Mary Shelley's composition of Frankenstein has attained mythic status. The authors discuss these elements and use four narratives to illustrate them. Those novels brought up many followers and imitators and eventually the genre of science-fiction[4]. Achetez neuf ou d'occasion Find many great new & used options and get the best deals for THE DOUBLE IN MARY SHELLEY'S FRANKENSTEIN, OR THE MODERN PROMETHEUS AND ROBERT LOUIS STEVENSON'S THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE by Christoph Höbel (2010, Trade Paperback) at the best online prices at eBay! attitudes deemed barbarous, grotesque, coarse. Name Teacher Course Frankenstein: The Scientific Comparison from Novel to Film Created in 1816, Mary Shelley’s “Frankenstein” has been enjoyed countless times by readers worldwide. Seconda… Frankenstein. Kiely, Robert. Ann Arbor, Michigan: Gale Research, 1983. Join ResearchGate to find the people and research you need to help your work. 362). ISSN: 2165-6258 :: 08(01):227–238 (2018), Ecole Supérieure de Technologies Industrielles-Annaba, Algeria, paper addresses Shelley’s plot in the light of gothic fiction and demonstrates how fear. Mary Shelley’s ‘Frankenstein, or the Modern Prometheus’ 2.2 Robert Louis Stevenson’s ‘The Strange Case of Dr Jekyll and Mr Hyde’ 3. . However its core is to describe the motif of the doppelgänger in both – Frankenstein and Dr Jekyll and Mr Hyde – by discussing them separately and later by comparing them. The novel, his crimes and while his evil side is apparent that of his creator remains concealed due to egotism. The aim of this paper is to discuss Lucian’s statement that his novel Verae Historiae provides both pleasure (yuxagwgi/a) and qewri/a to the readers. Freud, Sigmund. par: 4. 343. However it can also be seen as a “proto-science fiction”[17] due to the subject of human science exploiting natural sources and heightening human power over the forces of nature, thus creating supernatural powers artificially. The writers and their texts 2.1. yet you would, with a satisfied conscience. The critics support their argument by claiming that the author’s intention is to engage the reader with 4 Mary Shelley, Frankenstein. Boston: Bedford/St. On Robert Louis Stevenson. William Coyle. 72. 5.2. American Imago 60.2 (2003) 135-158 way of the chronotop, a structure suitable for solving obtained. The Double in Mary Shelley's "Frankenstein, or the Modern Prometheus" and Robert Louis Stevenson's "The Strange Case of Dr. Jekyll and Mr. Hyde" eBook: Höbel, Christoph: Amazon.co.uk: Kindle Store Sources structure of the novel is based on this pattern, and that the. Thus, the establishment of the chronotop determines the formation of the novel. “But through the whole period during which I was a slave of my creature I allowed myself to be governed by the impulses of the moment; and my present sensations strongly intimated that the fiend would follow me and exempt my family from the danger of his machinations.” (Shelley, 281-297. The Strange Case of Dr Jekyll And Mr Hyde. 1. The theme of the double As a consequence of his manipulations with nature, Frankenstein is punished because his creature kills the people that the doctor loved. which urged him to engage in the experiment in the first place. . Sources 5.1. Gothic doubles are a common feature of most Gothic texts, and the fact that it applies to so many Gothic texts means that it's a possibility for a section B question. Fanny Osbourne, a woman ten years his senior”[24] in London. Could anyone help me with this please... my other novel is Dracula. it can be seen simply as a double, an alternative version of the individual concerned; ... Frankenstein divides his head from his heart; his intellect and desire for scientific knowledge separate from his emotions, affections and responsibilities to other people. story has gone wrong. Furthermore, the work focuses on the figure of the doppelgänger as a source of horror in the narrative. “Robert Louis Stevenson.” Victorian Novelists After 1885. Frankenstein’s actions towards his monster unveil his true self. (=Dictionary of Literary Biography). Early in Mary Shelley's Frankenstein (1831), Victor Frankenstein tells Captain Walton: "No human being could have passed a happier childhood than myself. Chronotop is Studienarbeit aus dem Jahr 2003 im Fachbereich Anglistik - Literatur, Note: 2,3, Universität Trier (Fachbereich II Anglistik), Veranstaltung: The Gothic Novel, Sprache: Deutsch, Abstract: “The voices only speak to me – that’s why you are jealous”. It was already one in the morning; the rain. characters to a state of paranoia characterised by crying and sentimental speeches. Literature and Film, Ed. Martin's, 2007. 22 pg. It is renowned as a story of horror and the unthinkable. Encouraged by her husband she finished and published it in 1818. Victor experiences the self he presents to. 2. On Mary Wollstonecraft Shelley. is a small child whom he wishes to adopt" (43). the narrative story. creature, his evil side emerges, thus, causing all the horrors in the novel. . re-enacting in mildly disguised ways, his creator's feelings and experiences" (209-10). I'll hopefully do blog posts for doubling in other texts, most likely Wuthering Heights and Macbeth - but for now I'll focus on Frankenstein , which is probably the best example when discussing doubling. Further, it si, correctly due to the fact that pair of doubles shares a single space that should only harbou, The revival of dead matters is uncanny because it dep. "The Uncanny", The Critical Tradition: Classic Texts and Contemporary Trends, Eds. (=York Notes Advanced). Typifying the way that Victor is often contrasted with his double in this respect, Barbara Johnson sees the novel as "the story of two antithetical modes of parenting that give rise to two increasingly parallel lives—the life of Victor Frankenstein, who is the beloved child of two doting parents, and the life of the monster . Free shipping for many products! Later in that century Robert Louis Stevenson published his novel The Strange Case of Dr Jekyll and Mr Hyde which deals with a similar problem – the problem of the double. Is Victor's claim borne out by the details of his narrative? 346. Celui de Frankenstein, qui trouve son origine dans le récit de Mary Shelley (Frankenstein, or the Modern Prometheus, 1818), s'y prête tout particulièrement en ce qu'il joue sur le thème du double. ed. For Sandra M. Gilbert and Susan Gubar, Victor's "Edenic childhood is an interlude of prelapsarian innocence in which, like Adam, he is sheltered by his benevolent father" (1979, 231); while for Mary Poovey he is "the son of loving, protective parents" who provide the "harmony of his childhood" (1984, 122); and for Ellen Moers he experiences "doting parents" (1976, 98). Byron, Glennis. The theme of the double Wilde's The Picture of Dorian Gray is the story of a young man that is very beautiful: his portrait represents his double, his soul corrupted by his bad actions. The Double in Mary Shelley's 'Frankenstein, or the Modern Prometheus' and Robert Louis Stevenson's 'The Strange Case of Dr. Jekyll and Mr. Hyde', Christoph Hobel, GRIN Verlag. immediate hatred that Victor feels toward his creation. 2, No.2) Finally in the 19th century two great novels entered the world of literature with the effect of changing that world forever: Mary Shelley wrote her novel Frankenstein, or the Modern Prometheus which “has retained an undying international fame which places it in a class apart from its bloodcurdling contemporaries”[3]. In terms of the value it represents, it is also the source of The, by darkness and “was soon borne away by the waves and lost in darkness and d, hidden secrets from the past (sometimes the. [1] Cf. 69. In fact, Frankenstein’s monster serves as a mirror for Frankenstein; his creation is his double. Narcissism and Beyond: A Psychoanalytic Reading of Frankenstein and Fantasies of the Double. relationship resembles that of Victor and his father. nature and wants to attain power through the use of science. On Mary Wollstonecraft Shelley. This paper provides an understanding on how Mary Shelley used gothic themes in her novel Frankenstein to create a strong psychological horror. Indeed, she echoes Johnson's opposition between Victor and the monster's experiences of their parents: "Throughout the novel, Frankenstein's callous disregard of his responsibility as the sole parent of his only child is contrasted to the examples of two loving fathers" (43-44), one of whom is Alphonse Frankenstein (the other being the father of the De Lacey family). Primary Sources 5.2. After a short life – as a result of life-long illness – he died on December, 3rd 1894 in Vailima in Samoa[27]. ... 33. Indeed, a chorus of responses—all notable enough to be collected in the Norton Critical Edition (Hunter 1996) of the novel—despite their differences, unites in taking Victor's glowing report at face value. Another aspect of her work are the novels following her masterpiece. © 2008-2021 ResearchGate GmbH. [6] Cf. 3rd. Robert Louis Stevenson. He represents the dark side of Victor. Die englische Literatur. In Mary Shelley’s gothic novel, ‘Frankenstein’, the eponymous character states that the creature he constructs from corpses is “my own spirit let loose from the grave”. In this novel, the relationship between the development [253-254]. . In the novel "One Side of Istanbul", which is separated from the section by the characters, both in the aspect and in temperament, that are, at the same time, interdependent and complementary. Intimations of Ambiguity. [17] Sanders, Andrew. 382. , Eve Sedgwick offers a clear statement about the gothic: De Vore, D., Domenic, A. Kwan, A. and Reidy, N. “The Gothic Novel”, Accessed: 13 Dec. 2014, “Gothic Literature; Gothicism: Meaning, Origin and Scope”, Accessed: 21 May. A Norton Critical Edition. They address how literary elements intersect with more familiar. Des milliers de livres avec la livraison chez vous en 1 jour ou en magasin avec -5% de réduction . Jerrold E. Hogle. and became ruins; it is used to create fear and dread. http://shodhganga.inflibnet.ac.in:8080/jspui/bitstream/10603/8745/7/07_chapter%202.pdf >: New York; London: W.W. Norton, 1996. “The voices only speak to me – that’s why you are jealous”. forward, and with supernatural force tore me from his father (107). and portrayed the double figure as an outlet for repressed desires. Monster is Frankenstein’s double, representing the evil side of his character? The Double The Gothic Doppelgänger: An Analysis of the Relationship Between Frankenstein and his Creation in Mary Shelley’s Frankenstein; or, The Modern Prometheus. His parents were generous and his siblings were very friendly. physically, or otherwise at the main time of the story” (2). Frankenstein Or, The Modern Prometheus. But this insight has not informed most readings of Victor's early life. The Double in Robert Louis Stevenson’s “Dr Jekyll and Mr Hyde”, 4. 284. The novels Nove Noites (2002) and Lourenço Marques (2002) are present as narratives marked by the characteristics of the detective genre in a movement that transgresses and subverts these elements. [10] Forssmann, Juliane. As a result, the horrific murders and attitudes, produced by. Walpole’s novel and be set in some distant and foreign place and time. monstrous. Cambridge: Cambridge UP, 2002. which is regarded as a completed structure in itself, has been dealt with in three parts [23] During these journeys he met his later wife, ”Mrs. The myth uses a scientific frame to promote the idea that the Tambora event led to Mary Shelley's invention of the Frankenstein story because the eruption so altered the climate of Europe (lowering the temperatures, creating rainy electrical storms, producing frosts and floods, and generally darkening the landscape) that Shelley dreamt up the idea for her monstrous horror tale as a result. An attempt is then made to elucidate the problems, failings, and miscalculations of the myth. [27] Cf. [8] Cf. Comparison of the Double in Frankenstein and Dr Jekyll and Mr Hyde, 5. The monster's story of emotional abandonment is Victor's story. . My parents were possessed by the very spirit of kindness and indulgence" (43). 4. All rights reserved. She bore another daughter to Percy Bysshe Shelley but only their fourth child, Percy Florence Shelley survived into adulthood. He was born into a household of counsellors and syndics. London: Continuum, 2004. Frankenstein-The Doppelganger and It’s Effect “Especially in the literature of Romanticism, the double figure or doppelganger emerges as a central object of fascination for the imagining self, by turns compulsion and recompense, endowment and disaster. Elle participait, avec quelques amis, à un voyage en Italie, lorsque l'un d'eux, lord Byron, proposa un défi : chacun écrirait une histoire d'épouvante.. 68. status. Stuttgart: Heinz, 1999. “In 1888 he took his family to the South Seas”[26] where they settled. the creator transfers his own savage and repressed instincts, he divides himself. impression. Everyone agrees, at least, that the monster suffers a horrible abandonment, and Mellor reads his murderousness as a measure of it, seeing in Victor "a classic case of a battering parent who produces a battered child who in turn becomes a battering parent: the creature's first murder victim . . [18] Forssmann, Juliane. author's narrative strategy is Going against the grain of Freudian and Lacanian readings, I invoke an object relations perspective that explores the centrality of an infant's early experiences with primary caretakers and of the intense feelings of love and hate that, even on the surface, are the main concern of Frankenstein. His achievement contrasts with the antiquity of the setting. 69. Doesn't this "battering parent" have parents of his own? Or the modern Prometheus (1818; Berkshire: Cox & Wyman Ltd, 1994) 5 5 David Punter, ed. Christopher Small sees in Victor's upbringing an "atmosphere of perfect love, harmony, and parental indulgence" (1972, 102), and he calls Victor's father "benevolent . rev. Westport, CT and London: Greenwood Press, 1986. London: York, 1998. The myth uses a scientific frame to promote the idea that the Tambora event led to Mary Shelley's invention of the Frankenstein story because the eruption so altered the climate of Europe (lowering the temperatures, creating rainy electrical storms, producing frosts and floods, and generally darkening the landscape) that Shelley dreamt up the idea for her monstrous horror tale as a result. 5.1. [22] Fabian, Bernhard, ed. Frankenstein (1831 Edition): Mary Shelley. was nearly burnt out, when, by the glimmer o. is loaded with gothic motifs that arouse a feeling of horror in the readers. This deed of vengeance puts the two in, Interestingly, Victor and his creature double each other. Achetez et téléchargez ebook The Double in Mary Shelley's "Frankenstein, or the Modern Prometheus" and Robert Louis Stevenson's "The Strange Case of Dr. Jekyll and Mr. Hyde" (English Edition): Boutique Kindle - British : Amazon.fr This article addresses the construction of narratives using literary elements common to nonfiction and fiction writings. [1-2]. Introduction 2.